Every walk tells a story

Tag: Altadena (Page 2 of 2)

footpath to gooseberry

The plan was simple, straightforward. Up Tanoble to link up with the Altadena Crest Trail (ACT), go east then ascend the ridge, the one that looks like it might connect with the abandoned Gooseberry Motorway–a dirt road carved into the mountain when the power lines were installed but abandoned since, leaving barely a walkable trail that dead ends above Eaton canyon and that you “enter at your own risk of serious injury or death”. I’d cased the area from above a couple of years ago, and while I wasn’t then able to trace a continuous visible path, no section of the ridge appeared impassable and I promised myself that I would one day attempt to pass it. Many of the outings documented in this blog are first inspired by a similar desire to find new paths, trails I haven’t treaded, and then fueled by the discoveries, large and small, made along the way. Put another way: I am curious, to the point of being stubborn, and walking enhances that particular character trait. Why hike ‘out and back’ if you can loop it? Seeing more is living more, right?

The black dotted track on the Alltrails app confirmed what I suspected; the ridge was passable. More accurately, it had been walked by somebody at some point in time. A bit of bushwhacking is a plus on any hike, a minor adrenaline rush, but I tend to follow existing trails. I’m no kamikaze; in the face of granite cliffs, snow storms, exhaustion, I’m quite happy to turn around, accept defeat and return home for a warm shower and a beer. As I veered north from the ACT onto the steep firebreak it was instantly clear that I would have to earn the shower and beer with at least a fair dose of sweat. The mid-afternoon sun was baking the hillside, with little to no sign of a breeze for relief, and for shade, nothing. Until, about three quarters of the way up the first incline, I found an improvised awning. Someone–the Alltrails tracker?–had tied an elephant-themed blanket–a republican?–to a laurel bush overhanging the trail, leaving just enough room for a weary, sun-struck passer-by to hide under. Things were looking good, even though the views of the sprawling San Gabriel Valley below were hazy and uninteresting. I caught my breath and trudged on.

Shortly thereafter, I reached the first plateau, approximately the halfway mark, and, to my surprise, the first of many dead ends; a wall of thick chaparral covered the backside of the promontory and the small saddle connecting it to the continuation of the ridge. For the next fifteen minutes, I followed every possible insinuation of a previous track to no avail. Do not underestimate the ability of thorny, rugged, Yucca infested brushes to deter human passage. A machete would have made the task easy, but I typically don’t carry one, and besides, I wasn’t looking to blaze a trail, finding one would be more than fun enough. Go back? It seemed inevitable. What a shame though. The saddle was a mere fifty meters long, if that. After that the ridge climbed steeply towards the electrical towers, and the vegetation thinned; from there there had to be a way to reach the ‘Motorway’. What if I advance thirty, forty meters and can’t go any further, or worse, disrupt a cougar or a bear during a midday nap, step on a rattler, slice a wrist on a manzanita branch? I chased these pleasant thoughts away with a smile and dove into the least obstructed opening I could find.

It was slow going, and scratchy, and precarious, and fun, I’ll admit. I pushed, dug, crawled, doggedly scrambled my way through the next fifty meters, trying to guess where a trail should be, if it ever existed. I came across a yellow tee shirt, half buried under fallen leaves and dead branches, which helped me feel less alone; it was physical proof that someone had done this before, in the past five years. When I reached the end of the saddle, things got easier, and quite a lot steeper. Carving my own switchbacks in the sandy soil, using abundant sagebrush as a rope to pull myself up the hill, checking my foothold at every step, I eventually reached the electrical towers, and then easily enough the coveted Motorway. I looked down, through a grid of metal power towers at the road I’d traveled and felt like I often felt as a kid after getting away with some forbidden deed, like a million francs. I smiled and carried on.

A-B-S-T-R-A-C-T-I-ON , around Altadena

Walking Project 127_abstraction – Altadena from chris worland on Vimeo.

Imagine yourself driving west on Washington, between Hill and Allen. The car tells you the outside temperature is one hundred and one degrees Fahrenheit, but you’re listening to your favorite daily podcast that reports the harrowing, story of a Syrian refugee’s journey to safety, and the sun is shining and so from the inside of your mobile cocoon, it’s a beautiful day.  You reflect for a second about how you should do more to help refugees. You slow down slightly when you notice a lone pedestrian who seems uncertain, maybe lost, about which way to go, or you assume that because he’s standing right on the curb, staring at a street sign. He doesn’t move so you drive past but you can’t help look in the rear view mirror and you see that he has raised his arm up towards the sign, as if he were pointing at it. Eventually, you realize he’s taking a picture of the sign with a phone. You are a bit curious though not curious enough to turn around, or drive around the block to have another look. There’s a part of you that wants to know what the sign said that made it worth photographing, that wants to ask the pedestrian why he’s snapping a picture of it just like you are often tempted to ask fellow guests, when you’re out in some restaurant or other, why they feel compelled to photograph their plates. You don’t get selfies either. But you don’t ask. You drive on. What you don’t know is the pedestrian, perhaps a little affected by the heat, perhaps not–who’s to judge– is not looking at the sign per se, but at a specific letter on the sign. He’s seeing an abstraction of the sign, in the sign. He’s looking beyond the sign. He’s hoping that a minute combination of color, shape and maybe even movement, juxtaposed with a series of other similar images–similar in concept, not in composition or content–can help him express what he’s been thinking since he read the Octavio Paz poem Puerta over a satisfying carnitas torta lunch.

Puerta

 

¿Qué hay detrás de esa puerta?

No llames, no preguntes, nadie responde,

nada puede abrirla,

ni la ganzúa de la curiosidad

ni la llavecita de la razón

ni el martillo de la impaciencia.

No hables, no preguntes,

acércate, pega la oreja:

¿no oyes una respiración?

Allá del otro lado,

alguien como tú pregunta:

¿qué hay detrás de esa puerta?

Mexico City, September 26, 1994

 

Door

 

What’s behind that door?

Don’t knock, don’t ask, no one answers,

nothing can open it,

not the picklock of curiosity

not the little key of reason,

not the hammer of impatience.

Don’t talk, don’t ask,

come closer, put your ear to it,

can’t you hear it breathing?

There, on the other side,

someone like you asks:

what’s behind that door?

 

contemplatively – around Altadena

 

A short flânerie around the Altadena heights, passing two girls, arms loaded with library books and a gentleman walking and reading; happy that books are not dead or dying. Also passed a number of Immigrants Welcome signs, a discarded sofa, a neat row of nutcracker soldiers, a bright orange original mini with tires the size of a wheelbarrow’s, a pink bra hanging from an oak tree, a mare and her foal , and a SLOW sign that reminded me that life is good at walking pace, allows more time to contemplate.

“…there’s no greater service they can provide than creating imaginative worlds for audiences to contemplatively explore.”

Charles McNulty, LA Times, 12/31/2017

The they in the quote refers to theatre people but I like to think it can be extended to include all artists, and maybe at least this rambler.

Walking Project 101_contemplatively – Altadena from chris worland on Vimeo.

walking with Ozu

Neon street walkers roam

the high village, green parrots

nap on high voltage

 

Someone’s getting a new washer

and dryer; old tv and bball net

left for recycling across the street

 

Trash collectors, painters

Landscapists, trail builders

All wear neon too

 

–Someone said TV would produce one hundred million idiots.

–Is that so? What does that mean?

–It means all Japanese will become idiots.

–That would be pretty terrible. But what does it really mean?

scene from Ohayō by Yasujiro Ozu

Read about Yasujiro Ozu, 

 

Walking Project 030_ohayō-altadena crest from chris worland on Vimeo.

Up Hill avenue

Sitting at a café terrace, sipping a nitro-brewed iced coffee that is meant to infuse the drink with a Guiness-like consistency–can’t go wrong there–while another customer has taken the piano chair for a late morning recital of “Let it Be”, reading Bashō

From this day forth

I shall be called a wanderer,

Leaving on a journey

Thus among the early showers

The Records of a Travel-worn Satchel , Bashō

There was no rain in the forecast, indeed, it was nearly one hundred degrees Fahrenheit, fairly humid and very sunny. Is there a better time for a walk?

Walking Project 029_up hill – Pasadena from chris worland on Vimeo.

 

“Teach me to dance, will you?”

“Teach me to dance, will you?” Basil (Alan Bates) asks Zorba (Anthony Quinn) in the last scene of the splendiferous 1964 film “Zorba the Greek”.

“Dance?”  Zorba replies, giving Basil a look of genuine happiness, “Did you say DANCE?”

A couple of  pertinent thoughts on dancing:

“Dance, when you’re broken open.

Dance, if you’ve torn the bandage off.

Dance in the middle of the fighting.

Dance in your blood.

Dance when you’re perfectly free.”

Rumi

 

“Let us read, and let us dance; these two amusements will never do any harm to the world.” 

Voltaire

Walking Project 028_palm tree dance – Altadena from chris worland on Vimeo.

17,965 steps but who’s counting?

Today : walked 17,965 steps, if you trust my iphone 6, drank 4 espressos and 1 iced coffee, had 2 inches of hair cut off, it was 96 degrees Fahrenheit when I checked, listened to “a love poem for lonely prime numbers” by Harry Baker which has been watched 1,349,510 times–or more accurately had 1,349,510 views, plus 1–received 66 emails so far–52 were junk–filmed 66 clips–funny koinkidink–read four pages of Rousseau’s fourth promenade just before 4 o’clock–did not make this up or plan it–and remembered I used to be good with numbers, now I just randomly notice them.

Walking Project 026_walking by numbers from chris worland on Vimeo.

Rambling down Lake

In San Ber’dino changes I looked at the eco system and scenery changing as I climbed Mount San Bernardino. Something quite obvious struck me since then, that if you walk five to ten miles in any given direction, you are more likely than not to encounter some degree of change. And if you don’t, that in and of itself would be a change. To test that theory, walk the length of Lake Avenue in Pasadena/Altadena, California,

Lake Avenue:

Forty two blocks, five miles. Beginning at the gates of the Cobb estate at East Loma Alta Dr. in Altadena, where the lumber tycoon Charles Cobb once built his ‘kingdom on a hill’, literally above other early white settlers of the foothills, who were prospecting for gold in the canyons below,  and ending where it turns into Oak Knoll Ave in Pasadena, surrounded by mansions. Between that, fifteen churches–that I saw–including a mosque and a buddhist center, a house of prayer, and a meditation center; too many banks and financial institutions to count–concentrated south of the freeway, whereas all the churches are north of the freeway; a freeway and Metro gold line crossing, with a Metro station; two parks–plus a memorial one under construction; a Planned Parenthood clinic–often the sight of pro-lifer protests; an LA County Social Services building; a post office; auto parts stores; auto repair shops; discount stores; medical offices ranging from dentists to the Altadena Pet Hospital; chiropractors; a palm reader/psychic; beauty parlors; thrift stores; a pawn shop; a boxing equipment store; a job center; the Bunny Museum; several bike shops and only one used cars lot–sign of the times; a recently added Metro bike station–another sign of the times; a fire station; a tattoo parlor; the gamut of fast food chains, ethnic restaurants, diners and finer dining joints, juice bars and coffee shops–but only three Starbucks; a Mexican karaoke club; a pupuseria; and, well, you get the idea. It’s the kind of street that is busiest at rush hour, offering a direct access to the freeway, an artery of convenience connecting Pasadena with the foothills, missing, in my opinion, a bookstore.

 

Walking Project 025_lake ave from chris worland on Vimeo.

fieldtrip – Altadena Crest Trail

“Ayant donc formé le projet de décrire l’état habituel de mon âme dans la plus étrange position où se puisse jamais trouver un mortel, je n’ai vu nulle manière plus simple et plus sûre d’exécuter cette entreprise que de tenir un registre fidèle de mes promenades solitaires et des rêveries qui les remplissent quand je laisse ma tête entièrement libre, et mes idées suivre leur pente sans gêne.”

“Having therefore formed the project of describing the habitual state of my soul, in the strangest situation a mortal can possibly be found; I saw no method of executing it, so simple and so sure , as keeping a faithful record of my solitary walks, and the meditations which accompany them when I leave my mind free, and my ideas follow their propensity without resistance or constraint.”

Les Rêveries du Promeneur Solitaire, Jean-Jacques Rousseau

translation and full english text found here

More info on the Altadena Crest Trail.

 

Walking Project 002: fieldtrip from chris worland on Vimeo.

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